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Digital Preservation Workflows Webinar Series and COW-a-thon event
Recordings of Workflows Webinar Series (DPC Members please login to view) 20th April, 1300 - 1430 (UK) Episode 1: Preparations and ingest Business planning with Jaye Weatherburn, University of Melbourne {!guest} {/guest} Pre-ingest checks and ingest preparation for digital legal deposit material with Roxana Maurer, Bibliotheque nationale du Luxembourg {!guest} {/guest} Ingest to Digital Asset Management System (DAMS) with Fabi Barticioti, LSE...
The long WARC to freedom
Tom Wilson is Associate Archivist (Digital Preservation) for United Nations High Commissioner for Refugees in Switzerland. Our recent transfer of web-crawl suppliers taught us that the best laid plans can be derailed by factors beyond one’s control. UNHCR has been capturing content for its web-archive since 2015, working with Internet Memory Research (IMR) as our supplier to capture, store and display this content. In 2018, IMR informed us that they would be going bankrupt....
Assessing where we are with Digital Preservation
Fabiana Barticioti is Digital Assets Manager at LSE Library The DPC launched their Rapid Assessment Model (RAM) to members in September. To keep the momentum going I completed the assessment, in consultation with other colleagues, and submitted it to DPC immediately. I strongly recommend all membership to do it and help DPC to benchmark the DP community efforts.
Benchmarking with DPC RAM: a workshop
A couple of weeks ago I attended a Digital Archives Learning Exchange event at The National Archives and was really pleased to have the opportunity to talk about DPC’s Rapid Assessment Model - a maturity model for digital preservation that we released at the iPRES conference last month.
DPC Rapid Assessment Model introductory webinar
{guest}Members, please sign in to watch the recording{/guest} {!guest} {/guest} This members-only webinar introduces the DPC's newest member benefit - the Rapid Assessment Model (RAM). Topics include: how and why it was created who it is for how it should be used benefits for DPC members how to give feedback We are joined by DPC Members who have already applied the RAM. They share some observations about the model and how it might help them move forward with digital preservation...
The 'Capstone' email appraisal approach
Alexander Roberts is Digital Humanities Manager/Research Data Manager at Swansea University and attended iPRES2018 with support from the DPC's Leadership Programme which is generously funded by DPC Supporters Welcome to my second blog post relating to themes and projects which sparked my imagination as a result of attending iPres2018, the international digital preservation conference, last September in Boston, USA. As I mentioned in my previous blog post discussing...
A Greener Film Archive
Janice Chen is Archive Officer at the Asian Film Archive in Singapore Much has been written about the escalating carbon footprint arising from digital consumption and its resulting environmental impact. The U.N. Intergovernmental Panel on Climate Change (IPCC) reported that the world needs sweeping changes to energy, transportation and other systems to hold global warming to 1.5 degrees Celsius.[i] The bleak future facing our world and the devastating natural disasters in 2018 that have hit...
Web Archiving & Preservation Special Interest Group
Web Archiving & Preservation Special Interest Group What is the Web Archiving & Preservation Special Interest Group? The Web Archiving Special Interest Group (previously the Web Archiving & Preservation Special Interest Group) provides a forum for participants to share experiences, discuss good practice, and identify and address common problems on anything to do with web archiving. It provides an inclusive and mutually supportive environment for continued programme and...
'Personal Digital Preservation: Photographs and Video' by Richard Wright
{jcomments on} ‘The Digital Preservation Coalition (DPC) Technology Watch Report Personal Digital Archiving provides an overall approach and methodology for putting one's “digital house” in order. My purpose in this case note is to add the gory detail about digital photos and video, giving a one-person case study. I say exactly what software and processes I use (and which ones I've considered but rejected, or used and discarded), and try to be frank about successes and...