Moving Image
To read more about Moving Image, see DPC Technology Watch Report:
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Announcement: Call for Contributions iPRES 2024
16-20 September 2024, iPRES comes to Ghent and Flanders. Hosted by Ghent University, Digital Archives Flanders, VRT and meemoo, Flemish Institute for Archives, we invite you to unlock the past, present and future of digital preservation together. We are pleased to announce the iPRES 2024 Call for Contributions!
Title: Preservation Digitisation Project – Digitising the Tasmanian Archives audio visual collection
Karin Haveman is Acting Manager Government Archives and Preservation at the Tasmanian Archives and Digitisation Services Coordinator In February 2021, Libraries Tasmania launched the Preservation Digitisation Project – a major collaborative project that brings together Digitisation Services, System Support and Delivery, Government Archives, and the Community Archives teams. The aim of this project is to digitise our Tasmanian film, sound, and video collections for long-term...
Audiovisual Preservation at Wellcome Collection
Christy Henshaw is Digital Production Manager at Wellcome Collection in London Wellcome Collection, like many archives, has a tape problem. Video or audio, good condition or bad, tape archives present a major challenge for preservation and access. We hold hundreds of unique and distinctive works on tape formats, and regularly acquire more through our acquisition programme.
Records from the sea of islands: The Pacific and Regional Archive for Digital Sources in Endangered Cultures (PARADISEC)
Nick Thieberger works for the Pacific and Regional Archive for Digital Sources in Endangered Cultures (PARADISEC) and the University of Melbourne The distance between major population centres in the Pacific makes it difficult for residents of the sea of islands to access records in their languages. Even if records are stored in national museums or cultural centres, that can be some distance from most of the population. As the internet becomes more widely available, connection to these...
Audio, Moving Images and Raster Images: Three DPC Technology Watch Guidance Notes now available on general release
The Digital Preservation Coalition (DPC) has made the next three Technology Watch Guidance Notes in the new ‘Data Type’ series available on general release today. The topics covered in the set are: audio file formats, moving images and raster images. Authored by staff at Artefactual Systems in collaboration with the DPC and developed in conjunction with the UK Nuclear Decommissioning Authority, each of the Guidance Notes in the Data Type series is designed to provide a primer on the current...
Member previews available for new Technology Watch Guidance Notes in ‘Data Type’ Series
The Digital Preservation Coalition (DPC) has released the next three Technology Watch Guidance Notes in the new ‘Data Type’ series for Member preview today. The topics covered in the set are: audio, moving images and raster images. Authored by staff at Artefactual Systems in collaboration with the DPC, and developed in conjunction with the UK Nuclear Decommissioning Authority, each of the Guidance Notes in the Data Type series is designed to provide a primer on the current state of community...
A Greener Film Archive
Janice Chen is Archive Officer at the Asian Film Archive in Singapore Much has been written about the escalating carbon footprint arising from digital consumption and its resulting environmental impact. The U.N. Intergovernmental Panel on Climate Change (IPCC) reported that the world needs sweeping changes to energy, transportation and other systems to hold global warming to 1.5 degrees Celsius.[i] The bleak future facing our world and the devastating natural disasters in 2018 that have hit...
'Personal Digital Preservation: Photographs and Video' by Richard Wright
{jcomments on} ‘The Digital Preservation Coalition (DPC) Technology Watch Report Personal Digital Archiving provides an overall approach and methodology for putting one's “digital house” in order. My purpose in this case note is to add the gory detail about digital photos and video, giving a one-person case study. I say exactly what software and processes I use (and which ones I've considered but rejected, or used and discarded), and try to be frank about successes and...