Blog

Niamh Murphy is a student of the Master of Library and Information Studies programme at University College Dublin.

While learning about file format identification software, namely Siegfried, as part of a module called Digital Curation: Core Concepts on my master’s program at the University College Dublin, it was suggested that Brunnhilde also be installed. This was not a requirement of the module, but rather a recommendation to those interested, as Brunnhilde is complimentary to Siegfried and produces a number of useful outputs. With that, there was also a forewarning that it can be difficult to install and use at first. As I enjoyed experimenting with Siegfried, I decided to go ahead and install Brunnhilde, explore its uses and document the experience.

This blog post is in some ways a follow up to my 2018 post "A valediction for validation?". It was prompted by a tweet from Micky Lindlar that got me thinking about this stuff again...

"Controversial statement of the day: the longer I work in digital presevation, the more pointless i find file format validation." It was a tweet that ellicited a significant number of replies that agreed with Micky's sentiment, suggesting perhaps a growing disenchantment with validation and thus my corresponding and continued interest in an alternative.

...and shortly after that a fascinating and information-dense presentation from Tim Allison and colleagues for an OPF webinar. As well as a brilliant follow up conversation on twitter prompted by questions from Tyler Thorsted to Tim. 

Fabi Barticioti is a Digital Asset Manager at LSE Library. She recently attended the NEDCC Digital Directions Conference 2022 with support from the DPC’s Career Development Fund, which is funded by DPC Supporters.

I recently received a Career Development Fund grant from the DPC to attend the NEDCC 2022 Digital Directions conference, which was delivered entirely virtually. My initial interest in attending this conference was to expand my professional network, as I believed many of the attendees would likely be from organisations in the US. I was right about that; apart from me (based in London), another (in Edinburgh), and a handful of others scattered around the globe, most were from organizations based in the US.

Paul Wilson is a retired IT consultant who worked for 28 years for the global Systems House Computer Sciences Corporation; and prior to that for the UK National Computing Centre.

In April 2016, I created a set of document templates to support the digital preservation of my personal document collection, and it was published for general use in the DPC website. Since then, the document set has been tested through a complete lifecycle of subsequent maintenance exercises. The learnings from those experiences have been incorporated into a final set of templates which are again provided for free and general use in the DPC web site.  To give you an idea of what sort of collections the templates might apply to, and what sort of digital challenges they might help to address, the background to their development is summarised below.

Paul Stokes is Product Manager for Jisc

Losing your data may well cost you a LOT more that you thought. How much more? That's a difficult question to answer, but one that Jisc and the Digital Preservation Coalition are looking to answer…

Ingrid Dillo is Deputy Director at DANS and FAIRsFAIR Coordinator and William Kilbride is Executive Director at Digital Preservation Coalition. 

The FAIRsFAIR Project held an online conference in January 2022 to mark the completion of its work.  It included a conversation between Ingrid and William about digital preservation in the context of the FAIR principles.  We've published the text of the interview here, and it's available as a recording too also on the FAIRsFAIR website where there's a lot more about the project and its outputs.   

This year marks the 20^th anniversary of the founding of the Digital Preservation Coalition, and we’re planning a series of activities throughout 2022 to celebrate. The more formal events will happen in coordination with the iPres 2022 conference in Glasgow, including a special edition of the Digital Preservation Awards. But the DPC was launched at a gala reception in the House of Lords in London, in late February 2002.We couldn’t let this month pass without having some fun!

For three years now, the DPC has been working alongside colleagues at the UK Nuclear Decommissioning Authority (NDA) on their digital preservation challenges. It has been a little while since we blogged about this project, but I wanted to take the opportunity to let you know about some of the outputs that have been released over the last year and mention some new work to look out for in the near future.

Freddie Alexander is Digital Archivist at Historic Environment Scotland.

In December 2021 Scotland’s Rock Art Project (ScRAP) came to an end. ScRAP was a five-year project funded by the Arts and Humanities Research Council (AHRC) and hosted by Historic Environment Scotland (HES). It was the first major archaeological research project into prehistoric rock art in Scotland, and one of the largest and most ambitious rock art projects in the world. During the project the ScRAP team co-produced with community groups a wealth of digital data, including photographs, digitised sketches, close-range photogrammetry models, and an extensive database of fieldwork data for over 1100 prehistoric rock art panels across Scotland.

As the song goes, 'it’s beginning to look a lot like Christmas', but not any old Christmas: it’s beginning to look a lot like 2020 again.

Granted I am farther behind this year even than last, in part because we’ve been isolating and just a bit distracted lately. (I’ll spare the details except to say the supermarket delivery driver didn’t want his crates back.) I also don’t really remember the stresses and strains of 2020. My self-preserving brain seems to have erased the worst so all I can bring to mind are the kindnesses and patience elicited by that first pandemic Christmas. As for 2021, I find myself staring at a small pile of Christmas cards for close friends and family completely at a loss as to what to write.

This blog is a poor replacement for the DPC Christmas card this year.