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Announcement: Call for Contributions iPRES 2024
16-20 September 2024, iPRES comes to Ghent and Flanders. Hosted by Ghent University, Digital Archives Flanders, VRT and meemoo, Flemish Institute for Archives, we invite you to unlock the past, present and future of digital preservation together. We are pleased to announce the iPRES 2024 Call for Contributions!
A Guide to the Installation of IsoBuster, IROMLAB and IROMSGL
Niamh Murphy is a Digital Archivist with the Royal Dublin Society. In our community, optical media imaging is an essential yet challenging task to undertake. Despite the plentiful documentation available in support of this topic, establishing a workflow can leave you questioning: Where do I begin?
What is the carbon footprint of large-scale global digital preservation?
Matthew Addis is the Chief Technology Officer at Arkivum. It was great to be at iPRES 2023 in person again this year. I was privileged to be invited onto a panel called ‘Tipping Point’ that was run by Paul Stokes and Karen Colbron from Jisc. The panel questioned the premise that there is so much data being generated each year that we are at the point where we no longer have the ability to process it in any meaningful way, let alone curate and preserve it. Panellists...
Digital Preservation Documentation Guide: New DPC resource now available on general release
The Digital Preservation Coalition (DPC) has made its newest resource Digital Preservation Documentation: a guide available on general release today, following an exclusive Member preview.
Webinar on Immersive Media Preservation with Sound and Vision
As part of the research program of Sound & Vision on Immersive Media, Lieve Baetens has conducted research placement on strategies for the selection and preservation of Immersive Media in Cultural Heritage Institutions. You are all invited to join the free webinar organized by Sound & Vision on Tuesday 26 september (10:00 - 11:30 CEST) on Immersive Media Preservation.
Tapping the (Open) Source – No Time To Wait 2022
Nigel Bryant is Audiovisual Digitisation Officer at the University of Bristol Theatre Collection. He recently attended No Time To Wait 6 with support from a travel grant from the DPC Career Development Fund, which is funded by DPC Supporters. As part of my role, I am constantly striving to improve processes and workflow for the preservation of AV materials. I am currently implementing an open source workflow employing the Matroska (.mkv) video format, ideally using entirely Free and Open...
Title: Preservation Digitisation Project – Digitising the Tasmanian Archives audio visual collection
Karin Haveman is Acting Manager Government Archives and Preservation at the Tasmanian Archives and Digitisation Services Coordinator In February 2021, Libraries Tasmania launched the Preservation Digitisation Project – a major collaborative project that brings together Digitisation Services, System Support and Delivery, Government Archives, and the Community Archives teams. The aim of this project is to digitise our Tasmanian film, sound, and video collections for long-term...
Memories from the Anthropocene: digital preservation in a time of climate crisis
In October 2022 I was privileged to join colleagues virtually for an event organized by UNISA in Pretoria, South Africa. The event marked International Open Access Week 2022 and had the title 'Open for Climate Justice'. This blog is a version of the paper that I presented. (Added 1/11/2022: The slides are available from UnisaIR at https://hdl.handle.net/10500/29530) Thankyou very much for the invitation to join you today to share some thoughts about the relationship between...
iPRES 2022: Climate Change and Environmental Sustainability
Matthew Addis is Chief Technology Officer at Arkivum. One area that stood out for me at iPRES this year was the thread of climate change and environmental sustainability that weaved its way through several parts of the conference. In the panel session called ‘”IT'S ALL IMPORTANT OF COURSE, BUT…”, which hotly debated the question of what is the most important challenge in digital preservation (costs, advocacy, and people all came high up the list, and rightly so), I think it was Keith...
EPISODE 6: Digital Preservation Futures with Twist Bioscience
When: Tuesday 17 May 2022, 17:00 - 18:00 UTC+1 (click for local times) Where: Zoom This series of webinars will showcase the product and service offerings of each of our DPC Supporters in turn in response to a current theme which reflects member interests. DPC Supporter products and services form an important part of how we address the digital preservation challenge. This series aims to present - in the context of member concerns - a portion of the digital preservation marketplace...
EPISODE 5: Digital Preservation Futures with LIBNOVA
When: Friday 13 May 2022, 12:00 - 13:00 UTC+1 (click for local times) Where: Zoom This series of webinars will showcase the product and service offerings of each of our DPC Supporters in turn in response to a current theme which reflects member interests. DPC Supporter products and services form an important part of how we address the digital preservation challenge. This series aims to present - in the context of member concerns - a portion of the digital preservation marketplace...
DPC Rapid Assessment Model: Italian translation now available!
[segue la versione italiana] The Digital Preservation Coalition (DPC) is delighted to share an Italian translation of its Rapid Assessment Model (RAM), with thanks to Giulia Brecciaroli at the British Library and Elena Nepoti at Imperial War Museums in the UK who generously donated their time to make the resource accessible.
Update on the work of the PREMIS Editorial Committee
Karin Bredenberg, Marjolein Steeman, Tracy Meehleib are part of the PREMIS Editorial Committee First of all, thank you for the feedback you have given us in response to last year's call to action! We also want to express our big thank you for the Brazilian Portuguese translation of “Understanding PREMIS” and the updates made to all of the other translations! We’ve been busy putting your feedback recommendations into effect and it’s fair to say that 2021 has been a very productive...
Records from the sea of islands: The Pacific and Regional Archive for Digital Sources in Endangered Cultures (PARADISEC)
Nick Thieberger works for the Pacific and Regional Archive for Digital Sources in Endangered Cultures (PARADISEC) and the University of Melbourne The distance between major population centres in the Pacific makes it difficult for residents of the sea of islands to access records in their languages. Even if records are stored in national museums or cultural centres, that can be some distance from most of the population. As the internet becomes more widely available, connection to these...
Previous Versions of DPC RAM
Previous versions of DPC Rapid Assessment Model are available below: Version 1 Version 1 (2019) - The DPC Rapid Assessment Model - the full model and worksheet The first version of DPC RAM was officially launched in September 2019 in the Lightning Talks session of the iPRES conference in Amsterdam and with the following blog post: Introducing the DPC RAM Version 1 translations: Français - Grille d'évaluation rapide (French) 日本語 - デジタル保存連合...