![]() |
||
Video files in any format containing moving picture and sound recordings |
||
Group: Sound and Vision |
Trend: New Entry |
Consensus Decision |
Added to List: 2019 |
Last update: 2019 |
Previous category: New Entry |
Imminence of Action Action is recommended within five years, detailed assessment within three years. |
Significance of Loss The loss of tools, data or services within this group would impact on people and sectors around the world. |
Effort to Preserve It would require a small effort to prevent losses in this group, such as the deployment of proven preservation tools or techniques. |
Examples WAV; MP3; MP4 |
||
‘Critically Endangered’ in the Presence of Aggravating Conditions Lack of replication; encryption; digital rights management; proliferation of file formats; weak or non-existent technical documentation; lack of preservation capability or commitment; poorly managed or digitisation processes or QA. |
||
Vulnerable in the Presence of Good Practice Effective replication; normalization of file formats; strong technical documentation; preservation pathway; good descriptive cataloguing; trusted repository. |
||
2019 Review This is a new entry submitted through the open nomination process. There are connections between this entry and others relating to social media but has been included as its own entry because the Jury wanted to emphasize the issues of video preservation that pertain to offline recording, whether from broadcast, film industry, institutional and private collections too. |
||
Additional Jury Comments There are simply too many formats and too many standards, but the FFMPEG project and its related tools have significantly mitigated the technical risk to most video files. This enables a practitioners to transform the vast majority of file formats to safer preservation formats while retaining significant properties. However, technical risk is only one of the factors. There needs to be institutional engagement with audio-visual data as a priority. The issue then becomes one of identifying the organizations responsible and, constrained by the cost to store video data, making effective selection decisions. |