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Digital materials created by musicians and fans as a by-product of performance or recording, not otherwise published or shared |
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Group: Sound and Vision |
Trend: New Entry |
Consensus Decision |
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Added to List: 2019 |
Last update: New Entry |
Previous category: New Entry |
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Imminence of Action Action is recommended within three years, assessment within 12 months |
Significance of Loss The loss of tools, data or services within this group would impact on people and sectors around the world. |
Effort to Preserve It would require a major effort to prevent losses in this group, such as the development of new preservation tools or techniques. |
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Examples Pre-production notes; demo recordings; photography; correspondence. |
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‘Practically Extinct’ in the Presence of Aggravating Conditions fragile or obsolete media for offline content; service provider preservation capability for online content; dependence on proprietary formats or products; lack or loss of documentation; uncertainty over intellectual property rights; lack of version control; lack of policy or mandate |
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‘Endangered’ in the Presence of Good Practice Replication; clarity of intellectual property rights; preservation agency involved and capable of looking after content |
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2019 Review This entry has been split out of the previous entry for ‘Digital Music Production and Sharing’ though it has overlaps with other entries including ‘Pre-production TV and Movie materials’. A separate entry has been included to emphasise the inherent and value of the archival materials relating to the recording process over and above the recordings themselves. |
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Additional Jury Comments Inevitable loss of existing data but it would require major effort to fix in terms of identifying organizations who are preserving this content. Not clear that this is being done already |
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